Filmmaker Joe Talbot talked about his debut film The Last Black Man in San Francisco, which is out in the UK this week. Click here to acc...

The Irishman (Martin Scorsese, 2019) London Film Festival closed yesterday in great style, bringing the reunion of De Niro and Martin Sc...

The Painted Bird (Václav Marhoul, 2019) I have just come out of the most controversial movie in the London Film Festival. I was told man...

Saint Maud (Rose Glass, 2019) With the proliferation of online streaming service companies, the film industry had changed considerably in...

Bacurau (Kléber Mendonça Filho, Juliano Dornelles, 2019) On his third feature film, Kléber Mendonça Filho chose to focus on Brazilian pe...

Monos (Alejandro Landes, 2019) If your current savings allow you to grab just one festival movie, then book one ticket for Monos. It's t...

Bad Education (Corin Finley, 2019) Although its title is far from being creative -- there's an Almodóvar feature and a TV series -- , Ba...

The Last Black Man in San Francisco (Joe Talbot, 2019) O man! The end credits are rolling, while I am still taking notes apart from an aw...

Workforce (David Zonana, 2019) A new generation of Mexican filmmakers is rising. After Alfonso Cuarón, Guillermo del Toro and Alejandro G...

Clemency (Chinonye Chukwu, 2019) Historically, black women have carried a double burden, fitting into two minority groups: people of colo...

Honeyland (Ljubomir Stefanov and Tamara Kotevska, 2019) There is no doubt that bees are important for our survival, but Honeyland has not...

Killers Anonymous (Martin Owen, 2019) What’s your next move once you’ve been awarded an Oscar for Best Actor? Following his performance a...

London Film Festival may not be as glamorous as Cannes or Venice, or as prestigious as Berlinale, but it is undeniable their staff's effo...

Why I decided to watch Tarantino's last film if I despise him as a man and why you should watch it too

We have teamed up with the best creative multi-cultured team in London.

May 30, 2019 It is that time of the year when London turns back to American Indie films. Seven years after Sundance London first edition,...

Loveless October 18, 2017 LFF 2017 Best Film Winner Loveless brings a couple whose son disappears as they are just about to divorce. The ...

Sundance London 2018 May 31, 2018 It is that time of the year when London turns back to American Indie films. Six years after Sundance Lo...

Wes Anderson has a particular way of doing a movie, a typical way of telling a story. So if somebody says to you that Isle of Dogs is jus...

Spike is 60. And no matter what he has been telling us since the 80s, we still haven’t done the right thing. It’s never enough to be remi...