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The new online release Piranhas by filmmaker Claudio Giovannesi is another tale on Italian mafia, more specifically the Neapolitan organi...

The Coronavirus crisis will have long-term consequences for the film industry. Major productions were halted, international film festival...

The other day, I was at home reading the news about the George Floyd's murder and the subsequent wave of protests around the globe. I am ...

This is usually the time of the year in which Tribeca Film Festival takes place. As one of the most important Indie film festivals in the...

The title of my review can be related to current times, as so many people are kept confined at their houses without knowing when Covid 19...

The San Sebastian and Zurich Film Festivals will showcase films from SXSW and Tribeca Film Festival In a sign of solidarity with the inde...

According to official UK box office data, Parasite debuted nationwide with £1.09m from 137 cinemas for the weekend period. The film opene...

Marriage Story (Noah Baumbach, 2019) is a movie that stands out of the weekly cinema listing for its simplicity. It does not deal with so...

As Joker UK box office started breaking records week after week -- it grossed £54.3m in six weeks --, and I kept reading some comments on...

The Lighthouse (Robert Eggers, 2019) After the unexpected success of his debut film The Witch, Robert Eggers launches The Lighthouse. Th...

Filmmaker Joe Talbot talked about his debut film The Last Black Man in San Francisco, which is out in the UK this week. Click here to acc...

The Irishman (Martin Scorsese, 2019) London Film Festival closed yesterday in great style, bringing the reunion of De Niro and Martin Sc...

The Painted Bird (Václav Marhoul, 2019) I have just come out of the most controversial movie in the London Film Festival. I was told man...

Saint Maud (Rose Glass, 2019) With the proliferation of online streaming service companies, the film industry had changed considerably in...

Bacurau (Kléber Mendonça Filho, Juliano Dornelles, 2019) On his third feature film, Kléber Mendonça Filho chose to focus on Brazilian pe...

Monos (Alejandro Landes, 2019) If your current savings allow you to grab just one festival movie, then book one ticket for Monos. It's t...

Bad Education (Corin Finley, 2019) Although its title is far from being creative -- there's an Almodóvar feature and a TV series -- , Ba...

The Last Black Man in San Francisco (Joe Talbot, 2019) O man! The end credits are rolling, while I am still taking notes apart from an aw...

Workforce (David Zonana, 2019) A new generation of Mexican filmmakers is rising. After Alfonso Cuarón, Guillermo del Toro and Alejandro G...

Clemency (Chinonye Chukwu, 2019) Historically, black women have carried a double burden, fitting into two minority groups: people of colo...