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This is usually the time of the year in which Tribeca Film Festival takes place. As one of the most important Indie film festivals in the United States, they...

The title of my review can be related to current times, as so many people are kept confined at their houses without knowing when Covid 19 will be defeated. I...

The San Sebastian and Zurich Film Festivals will showcase films from SXSW and Tribeca Film Festival In a sign of solidarity with the independent film industr...

According to official UK box office data, Parasite debuted nationwide with £1.09m from 137 cinemas for the weekend period. The film opened before the Oscars ...

Marriage Story (Noah Baumbach, 2019) is a movie that stands out of the weekly cinema listing for its simplicity. It does not deal with social issues, such as...

As Joker UK box office started breaking records week after week -- it grossed £54.3m in six weeks --, and I kept reading some comments on social media of peo...

The Lighthouse (Robert Eggers, 2019) After the unexpected success of his debut film The Witch, Robert Eggers launches The Lighthouse. The feature is already...

Filmmaker Joe Talbot talked about his debut film The Last Black Man in San Francisco, which is out in the UK this week. Click here to access our review. Amon...

The Irishman (Martin Scorsese, 2019) London Film Festival closed yesterday in great style, bringing the reunion of De Niro and Martin Scorsese, who haven't w...

The Painted Bird (Václav Marhoul, 2019) I have just come out of the most controversial movie in the London Film Festival. I was told many people left the ci...

Saint Maud (Rose Glass, 2019) With the proliferation of online streaming service companies, the film industry had changed considerably in the last five years...

Bacurau (Kléber Mendonça Filho, Juliano Dornelles, 2019) On his third feature film, Kléber Mendonça Filho chose to focus on Brazilian people on a low income...

Monos (Alejandro Landes, 2019) If your current savings allow you to grab just one festival movie, then book one ticket for Monos. It's the best movie I've w...

Bad Education (Corin Finley, 2019) Although its title is far from being creative -- there's an Almodóvar feature and a TV series -- , Bad Education 2019 is ...

The Last Black Man in San Francisco (Joe Talbot, 2019) O man! The end credits are rolling, while I am still taking notes apart from an awe feeling, and then...

Workforce (David Zonana, 2019) A new generation of Mexican filmmakers is rising. After Alfonso Cuarón, Guillermo del Toro and Alejandro González Iñárritu had...

Clemency (Chinonye Chukwu, 2019) Historically, black women have carried a double burden, fitting into two minority groups: people of color and women. Very re...

Honeyland (Ljubomir Stefanov and Tamara Kotevska, 2019) There is no doubt that bees are important for our survival, but Honeyland has nothing to do with the ...

Killers Anonymous (Martin Owen, 2019) What’s your next move once you’ve been awarded an Oscar for Best Actor? Following his performance as Winston Churchill ...

London Film Festival may not be as glamorous as Cannes or Venice, or as prestigious as Berlinale, but it is undeniable their staff's effort to collaborate in...